Remote, Brazil and the UK

Visual Artist &
Creative Designer

01/2008 – present

Pparalelo de Arte Contemporanea

From concept to production, the duo worked together on over 50 projects funded by both private and public initiatives.

Projects developed included exhibitions in art galleries and museums, urban interventions, specialized publications, academic seminars, and corporate and institutional workshops.

The group had their events/exhibitions covered by mainstream and specialized media such as TV, radio, News Paper, whitepapers, websites, blogs, etc.

ppllartgroup.net is their main platform, making it possible to continue the group’s actions in the virtual world, tailored to the current project’s demands.

Developed through actions and interventions of a public, temporary nature in a way that reactivated the configurations that generated many known artist groups. In this way, the structure assumed by the group established its distrust of all kinds of centralisation and fixed roles in the circuit, preferring the expansion of perception and places of art and being attentive to awaken new partnerships and establish other audiences for their projects.

One of its main statements configures it as parallel and non-collective.

It is intended to be cultural, not just artistic and works art-actions suggested by alternating forces within the group.

The grouping is suited for a fixed duo that invites like-minded for external and punctual actions, as it holds up to the present day. This way of operating allows the actions carried out to increase the creative and poetic positions of its members, linked to the diversity of their positions in the local and international cultural and artistic circuit.

It prepares the pair for an operational mode that inaugurates these next five years, beginning in 2019, by means of remote actions, linked to another spectrum of platforms for the art propositions, in which the geographic distance of its present bases (Brazil – England) combines to the agility of work and deployment in information networks.

The place/site of today’s art sustains being elements of its purpose and strategy. The actions and interventions in the landscape are still an essential part of its methodology.

Expanding the forms and times for work in art has always been to establish revision plans and constant self-criticism within the artistic and social circuits in order to combine ethics, poetry and aesthetics in contemporary times.

Accomplishments

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